"Judith Adams' script is dense as thick, black treacle but has the lightest of touches, melding myth and poetry with the everyday..." Lyn Gardner, The Guardian
Some audiences, academics and artists are beginning to observe that a casualty of process-driven work is often excellence, or even existence, of text. Steps are being taken towards the resuscitation of words in postdramatic performance, but almost exclusively by "practitioners, lecturers and theorists whose processes of creativity do not begin with text." The playwright's voice remains a whisper in the debate, as it often does in the process of lifting their texts from the page.
I am seeking, from my particular perspective and experiential process, to re-define the question "what is the playwright's role in post-dramatic theatre?" - a question that has pushed many of us into beleaguered positions, protective of our text and role status. Rather, the core question of this research proposal is: "what could be the playwright's role, within a new aesthetic?"
Aims and Objectives
This personal research-with-practice opportunity will centre the playwright in an exploration of the symbiotic relationship between physicality and language, made implicit by the root articulare: "to furnish with joints, to utter distinctly".
Running parallel to, and supported by, my continuing professional practice and the unique configuration of research interests in the Drama Division of the University of Huddersfield, it will view artistic language-making as a bodymind skill and offer physical and theoretical insights into the practice and pedagogy of contemporary playwrighting in the areas of dramaturgy and play.